50 Quintessentially American Novels

Literature is just as subjective a creative pursuit as any other. Sure there’s some technique involved in executing a practically perfect piece, but just as many startlingly amazing subversions exist as well. So don’t take this list as anything beyond one writer’s opinion. Heightened blood pressure over what books have and have not been included is more than a wee bit silly. All the novels featured here cover the dual nature of American culture, politics, history, acculturation and more. From a diverse selection of perspectives, they analyze some corner of this supposed “Dream” that everyone in the nation is supposed to share – particularly how it means something different to different people and doesn’t always play out as expected. Though many of these vivisect highly familiar (if not universal) themes and archetypes, they couldn’t have been written anywhere else.

1. Uncle Tom’s Cabin (1852) by Harriet Beecher Stowe: This impassioned anti-slavery novel helped stimulate the Abolitionist movement and further drive wedges between the American North and South, making it one of the most culturally significant fictitious works in the nation’s literary canon.
2. Little Women (1868-1869) by Louisa May Alcott: Read about the now-classic lives of four fictional sisters and their mother as they wait and pray for their father, almost perpetually away from their New England home serving as a Union chaplain.
3. Huckleberry Finn (1884) by Mark Twain: One of the most revered American novels painstakingly satirizes prevailing attitudes about slavery, childhood and humanity, all while bringing the Mighty Mississippi and Deep South to vivid, sweltering life.
4. The Red Badge of Courage (1895) by Stephen Crane: Witness the Civil War through the eyes of a traumatized young man whose heroism comes at a painfully exorbitant cost — and not just his idealization of battle, either.
5. The Awakening (1899) by Kate Chopin: While not explicitly feminist, many women’s studies scholars and literary critics see this novel as one of the many precursors to the movement. Here, American (though not uniquely so) social mores drive a Southern woman to challenge her forced status.
6. The Jungle (1906) by Upton Sinclair: Everyone emphasizes the horrifying food standards present in Upton Sinclair’s muckraking tome — especially since it directly inspired legislation — but the author actually intended it as a treatise on the plight of exploited American laborers (particularly immigrants).
7. Three Lives (1909) by Gertrude Stein: Influential modernist Gertrude Stein burst onto the literary scene with the story of three women (all of whom live in the same fictional city of Bridgeport) whose experiences in the United States vastly differ as a result of their racial, gender and economic statuses and overall health.
8. The Rise of David Levinsky (1917) by Abraham Cahan: The eponymous hero comes of age in Russia, but transplants himself to America as a young man, meeting with the unique struggles frequently faced by the country’s immigrant population.
9. My Antonia (1918) by Willa Cather: On the plains of Nebraska, a young man comes of age and befriends some lively Bohemian immigrants hoping to transcend their humble beginnings and achieve American Dreams of their own.
10. The Great Gatsby (1925) by F. Scott Fitzgerald: The celebrated American author channels the myriad hypocrisies and flamboyant decadence of the Jazz Age into an enduring, dramatic classic.
11. The Sound and the Fury (1929) by William Faulkner: Nobel Prize winner William Faulkner showcases his talent in one of the quintessential Southern Gothic novels, focusing on an upper-crust family watching helplessly as their perfect little lives and reputations start dissolving.
12. The Little House Series (1931-1971?) by Laura Ingalls Wilder: Pioneer life before, during and after Western Expansion is reflected in this much-beloved series about a tight-knit family’s triumphs and tragedies. It’s an especially great read for kids — and for kids to share with their parents.
13. Gone with the Wind (1936) by Margaret Mitchell: The Civil War sends a formerly wealthy Southern family into a pattern of utter destitution, from which ruthless, manipulative (and memorable, for better or worse) Scarlett O’Hara must rescue them.
14. Their Eyes Were Watching God (1937) by Zora Neale Hurston: Set in Florida, the life of protagonist Janie Crawford unfolds through various cities and men, culminating in her horrific experience with the 1928 Okeechobee hurricane.
15. The Big Sleep (1939) by Raymond Chandler: Hardboiled, pulpy detective novels overflowing with cynical protagonists, dizzy dames and alcohol flowing like the Rio Grande are an essential component of the American literary canon, and none do the genre quite like the amazing Raymond Chandler and his iconic Philip Marlowe.
16. The Day of the Locust (1939) by Nathanael West: Hollywood’s obscene narcissism, unyielding greed and no-holds-barred ambition eventually culminate in a volatile, lethal riot. Nathanael West pulled from his screenwriting experience to deliver a pitch-black look at American entitlement and privilege.
17. Native Son (1940) by Richard Wright: Bigger Thomas, trapped in a South Side Chicago ghetto, comes of age facing down horrific violence, racism, degradation and poverty, eventually giving in to temptations encouraging retaliation.
18. Other Voices, Other Rooms (1948) by Truman Capote: The debut novel of influential writer Truman Capote transports readers to the Sweltering Deep South and illustrates the unique struggles of LGBTQIA individuals forced and shamed into obscurity.
19. Catcher in the Rye (1951) by J.D. Salinger: Holden Caulfield may not be a terrifically pleasant individual, but he remains one of the most recognizable characters ever to emerge from the American literary canon.
20. East of Eden (1952) by John Steinbeck: Pretty much all of John Steinbeck’s oeuvre blossoms from American history, lifestyles and culture, but East of Eden ambitiously chronicles multiple generations until they finally settle in the Salinas Valley.
21. Invisible Man (1952) by Ralph Ellison: No novel captured the marginalization and frustration of pre-Civil War African-Americans like the intense, absolutely essential Invisible Man.
22. The Adventures of Augie March (1953) by Saul Bellow: Set during the Great Depression, Augie March comes of age and finds himself meandering aimlessly through Chicago, Mexico, New York and France — a stark contrast with the familiar depiction of the Real American Hero so popular in the country’s fiction.
23. Go Tell It on the Mountain (1953) by James Baldwin: Pulling from his experiences, James Baldwin used his most popular novel to dissect the relationship between the African-American community and their religious faith.
24. On the Road (1957) by Jack Kerouac: He may have absolutely loathed the Beat movement, but Jack Kerouac’s works still influenced an entire subgenre of American literature all the same. On the Road encompasses and comments upon the alienation, Asian spirituality and drug use common amongst postwar creative types.
25. To Kill a Mockingbird (1960) by Harper Lee: This classic bildungsroman takes readers to the Depression-ravaged American South and shines a light on the desperate financial and racial tensions boiling over into violence and deceit.
26. The Bell Jar (1963) by Sylvia Plath: Based largely on the author’s own tragic life, plucky young Esther Greenwood succumbs to the pressures of American industry, big city life and her own retaliating brain chemistry. Once committed, her experiences reflect the marginalization — if not outright abuse — experienced by many of the country’s mentally ill citizens.
27. A Moveable Feast (1964) by Ernest Hemingway: Part memoir, part novel, Ernest Hemingway’s stint abroad connected him with other expatriate Americans, who pooled their creative and intellectual gifts into their own unique movement.
28. Valley of the Dolls (1966) by Jacqueline Susann: Fans of trashy camp classics with hearty cult followings should pick up The Valley of the Dolls for a uniquely American take on the sex, drugs and deceit that come when staggering towards stardom.
29. Slaughterhouse-Five (1969) by Kurt Vonnegut: Kurt Vonnegut channeled his experiences in World War II into one of his quintessentially American satires, telling the narrative of a soldier whose life unexpected veers nonlinear during the Dresden bombings.
30. Fear and Loathing in Las Vegas (1971) by Hunter S. Thompson: With his lawyer friend Dr. Gonzo in tow, the autobiographical character Raoul Duke explores the true meaning of the “American Dream” and grows increasingly more desperate, drug-fueled and frustrated in the process.
31. Post Office (1971) by Charles Bukowski: The first novel starring Charles Bukowski’s literary alter-ego Henry Chinaski pulls from the author’s real-life experiences working a dissatisfying position with the United States Postal Service.
32. The Stepford Wives (1972) by Ira Levin: Rote suburban conformity and rigid gender roles and expectations receive a thorough, well-earned skewering, granting this novel iconic, influential status.
33. Rubyfruit Jungle (1973) by Rita Mae Brown: This bildungsroman opens readers up to the reality of lesbianism and youthful sex experimentation in the United States, juxtaposing life in Florida with life in New York.
34. Carrie (1974) by Stephen King: The pressures of American high schools’ ridiculous social hierarchy and Christian fundamentalism make life bubble with abject torment for an awkward teenage girl — who retaliates with one of the grimmest revenge-fueled rampages in all of literature.
35. A Confederacy of Dunces (1980) by John Kennedy Toole: A thoroughly realized (not to mention absurd) New Orleans forms the backdrop of this raucous, Pulitzer-winning tragicomedy about a delusional, lazy grotesque out of step with the insane world around him.
36. The Color Purple (1982) by Alice Walker: Through a series of letters, heavily marginalized protagonist Celie gradually learns the tragic truth about the role of race, gender and sexuality in 1930s Georgia.
37. The House on Mango Street (1984) by Sandra Cisneros: The sexual, racial and economic struggles of a Chicano-Puerto Rican ghetto in Chicago inspire young Esperanza Cordero to someday escape and acquire the resources needed to come back for the family and friends she loves.
38. Blood Meridian (1985) by Cormac McCarthy: One of the greatest Westerns ever penned incorporates gruesome real-life events — including skirmishes with the Native Americans and battles along the Mexican border — and reflects them through the eyes of a runaway teen.
39. Lonesome Dove (1985) by Larry McMurtry: A throng of retired Texas Rangers lend their grit and talents to a grueling cattle drive between their home state and Montana, earning celebrated Western author Larry McMurtry a Pulitzer in the process.
40. The New York Trilogy (1985-1986) by Paul Auster: City of Glass, Ghosts and The Locked Room combine to form integral cornerstones of American detective, postmodernist and meta fiction.
41. White Noise (1985) by Don DeLillo: In the late 20th Century, American society found itself awash in fitful consumerism, encouraged by an all-consuming, ever-looming media. In the late 20th Century America as portrayed in White Noise, it only fuels the paranoia of a deadly Airborne Toxic Event.
42. Beloved (1987) by Toni Morrison: Toni Morrison’s Pulitzer winner tells the tale of woman and her daughter attempting to forge a life for themselves after escaping their dehumanizing slave status, but preternatural phenomena begin sowing disruption.
43. The Joy Luck Club (1989) by Amy Tan: The daughters of Chinese immigrants scuttle between their duel heritages and do their best to always keep family at the center of their lives.
44. The Mambo Kings Play Songs of Love (1989) by Oscar Hijuelos: A duo of Cuban brothers flee to America with the hopes of achieving success as mambo musicians, like many of the real-life figures with whom they interact. This Pulitzer winner adroitly showcases the positives and negatives of immigrants striving towards the promised American Dream.
45. American Psycho (1991) by Bret Easton Ellis: Protagonist Patrick Bateman represents the logically extreme, destructive conclusion of the self-centered, spoiled and hedonistic lifestyles of yuppie Americans.
46. How the Garcia Girls Lost Their Accents (1991) by Julia Alvarez: Over time, four Dominican sisters escaping the Trujillo regime eventually immerse themselves in the country they adopt as their new home.
47. Fight Club (1996) by Chuck Palahniuk: Chuck Palahniuk’s searing satire mercilessly deconstructs perceptions of masculinity in American culture, points out the conformity of supposed nonconformists and raises plenty of questions about the role of big business and materialism in daily life.
48. Mason & Dixon (1997) by Thomas Pynchon: Two real-life British figures bumble through a fantastic, hilariously postmodern interpretation of their historical American travails. Which happens to include a petulant automaton duck.
49. The Amazing Adventures of Kavalier and Clay (2000) by Michael Chabon: Quintessentially American superhero comic tropes collide with a compelling Jewish immigrant story to form one of the most lauded narratives of the decade.
Then We Came to the End (2007) by Joshua Ferris: The prosperous Dot-Com Era proves a wondrous boon to a Chicago-based advertising agency, but eventually orchestrates its inevitable undoing.

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